Therefore, FPS will not devalue any instrument in the inventory, nor will become involved in price wars.In this way, FPS customers will always know the real price of the instruments.Here, flutemakers utilize old world skills in combination with forward thinking ideals to produce the most revered flutes in the world.
Historically, Haynes has developed crafting techniques and methods that have been adopted as the paradigm in the flutemaking industry. Haynes Flute S By Year Full Range OfFlutists enjoy the rich, full, colorful, even scaled timbre over a full range of dynamics that is only Haynes. This unique tone has always had beauty of sound at its core, yet it allows for current trends to be a part of the tonal range. Haynes Flute S By Year Professional Options FoundThe Q Series provides many of the professional options found in top priced flutes for much more reasonable pricing. Very popular at FPS is the Haynes Q2 flute with gold fusion on the outside is a very popular model for college music majors, and adults coming back to the flute later in life. Cooper scale, if you play in todays symphony orchestras, would make you life more easy, but in almost all other cases.Ya dont need it. Haynes Flute S By Year Serial Number InHe didnt provide the serial number in his email but I have asked and I know that I can determine the year in which it was made from that information. But is there a way to determine the model Maybe the absence of a model number is a clue in itself, similar to vintage Buffet R13 clarinets bearing no model number (just wondering). The better ones were after about 14,000 and have the low C spatula rather than 2 foot rollers. From serial number 20,000-30,000 tend to be the ones people like. Really good condition (new pads, no marks) should be in the 1,500 range and needing work about 800. Ive always wanted a Haynes and recently traveled to look at two custom Haynes from the 40s and 50s. Both were in fine shape, but besides being pre- Cooper scale and subsequently more difficult to play in tune, they were pretty anemic sounding. They were some of the best flutes available when he bought them Im sure and over the years he has worked out the nuances to play it in tune. But it does seem to me that the changes made to flutes over the last 20 years or so, have probably improved the quality of the tone one can achieve, and achieve it easier. I dont think players like Galway would have dumped their Haynes flute unless they were going to something that improved their playing. Rather than provide the serial numbers, I was given the years that they were produced. I have added the ser no ranges for those years (downloaded from the Haynes web page): 1931 (11641 - 11984) 1933 (12259 - 12483) 1953 (22820 - 28516) 1958 (27242 - 28333) 1961 (30296 - 31238) Can anyone add informationopinions about Haynes flutes from these periods Thanks, KM. AT the time I found that it was a great flute and dark sounding (they were.018) but with time, I found the heads a bit lacking compared to modern ones, even from large makers. I get older Haynes and Powell heads and just have trouble selling them as even a standard modern sterling head tends to play better. I can even turn out a 300 head that sells better than the vintage Boston ones. Different story with their newer heads but they tend to be expensive. Bettoney which can be found with good pads for under 700 and the real winner is the old Sterling Selmer US flutes that are common with military markings. I wouldnt go much over 1,200 for any of the Haynes standards as you can find a nice Yamaha with the plated keys for less and it probably will play quite well. As far as the other guys statement, if you like Galways tone concept, well, thats great, thats the modern sound, I suppose. He played a Haynes when he was a young guy learned the right way to play, then gravitated towards a brighter sound equipment that let him achieve the concept he heard in his head. In my Link analogy, the same could be said about Mike Breckers gravitating to high baffle, after playing Links earlier in his career--in his case, because of his throat condition) The point is, Galway could play an old Haynes believe me, it wouldnt sound dull or lifeless (or outta tune), cuz he KNOWS how to play one. So many players use pre-cooper scale have NO problems. Gary Schocker, Lew Tabackin, play pre-cooper hayneses. Probably 80 of the Broadway woodwind doublers in NY use pre-cooper Hayneses Powells, with no problem.
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